My work has changed a lot in the past 30 years. Before, I would select teas, and then we had to get them here as quickly as possible if they were Grands Crus – we called them “rare and ephemeral”. I would visit every farm, of course, but that’s where the work ended.
Today, our demands – and I’m talking about our own demands just as much as our customers’ – in terms of health, food safety and environmental respect, are so much higher. It’s no longer enough to find teas that are remarkable for their gastronomic qualities. They must also meet strict standards – happily, European standards are the strictest in the world. Food safety is better. Flavour and health have become inseparable, for which I’m grateful. Then it’s up to me to make sure you can taste these rare teas as soon after harvest as possible.
When you travel alone it’s easier to meet people
I mostly travel alone. I depart alone, I return alone. This solitude encourages me to approach others. I’m more easily accepted by them, to be among them. Alone, you open up to others. We all need other people. Without a travel companion, you make more of an effort to adopt the culture of the people you meet. Alone, you’re more vulnerable, more permeable, more receptive. And that’s a good thing, because I travel to listen.
Arya Tara: the rare teas of Saran RAI
I find it very rewarding to tell you about the men and women who make the teas you drink. Today, I’d like to introduce you to Saran RAI. Based in Arya Tara (Nepal), Saran produces different grades of tea, but just 300 kg a year. He uses my favourite cultivar: AV2. It is a very small, very high-quality plantation. Half of the fresh leaves that make his teas come from his own fields, and half come from the 50 or so local farmers. When I ask what he is most proud of, Saran replies: “being visited by people from afar”. It is true: he receives very few visitors. The route is arduous, especially the last few kilometers. I walked them, on an almost impassable track, surrounded by beautiful countryside. Although his plantation is not certified organic, I have no doubt that Saran uses organic methods.
A volcano in the landscape
On the island of Kyushu in Japan, it isn’t unusual to find a volcano in your field of vision. As someone who enjoys photography, this makes me very happy. The outline of these lava giants emphasises the controlled horizontality of the tea plants. They disrupt a rather too orderly landscape. They also remind us that the duration of harvests, the duration of seasons, the duration of human life, quite simply, is infinitesimal. Here is Mount Kaimon, which has a silhouette similar to that of Mont Fuji.
Modest appearances
In Nepal, factories often look quite makeshift, from the sheet roofing to the very basic structure. Teas are tasted outside, on trestles. This is a long way from Darjeeling, with its British colonial influence. But we shouldn’t judge by appearances. Inside these modest-looking buildings, the equipment is not only very good (small rolling machines from China or Taiwan, quality ovens, machines that delicately shape the leaves, etc.), but most of all, you find a unique expertise and creativity. The people are young and passionate – again, very different from the image of the established planter in Darjeeling. They live and breathe tea, and think of almost nothing else. Their sole objective is to make delicious teas, whatever the colour. The lack of a tea tradition in Nepal undoubtedly frees them up to explore new leaf shapes, new types of rolling, new approaches to production in general. “Handmade” Nepalese teas (as opposed to the crush, tear, curl teas and the big factories, which also exist in the Ilam region) have a bright future ahead of them.
An unusual season
The Darjeeling season is going to be a strange one. The really amazing teas are priced out of reach (30% to 50% higher than in previous years) to compensate, the planters say, for the losses they sustained during the 105 days of strikes last year. So far I’ve bought, on the best possible terms, the following: Mission Hill DJ4 SFTGFOP1 Clonal, Puttabong DJ14 SFTGFOP1 Clonal Exotic, Puttabong DJ12 SFTGFOP1 Clonal Queen, Orange Valley DJ5 SFTGFOP1 cultivar China, Balasun DJ6 SFTGFOP1 Himalayan Mystic, and Rohini DJ15 FTGFOP1 Exotic White, all exclusive. They’re of a remarkable quality and will delight enthusiasts. For those wanting first-flush Darjeelings at lower prices, you’ll have to wait. Firstly, the only teas that are cheap are very poor quality, and secondly, even the mediocre teas are priced high, or very high. They’re absolutely not worth it. To sum up, this year requires more vigilance than usual.
For fans of Himalayan teas who aren’t focused on Darjeeling, and who are looking for good deals, why not wait for the Nepalese teas? They’ll be ready soon and often represent excellent value for money.
Tea fields spiked with fans
Right down to the extreme south of Japan you can find these tea fields. They are recognisable for being spiked with fans, which are installed to prevent cold air from lingering around the tea plants. Here, I’m close to Kagoshima Bay, visible in the background, an important tea-producing region in the archipelago.
What’s good for us mustn’t harm others or the planet
My job not only consists of hunting down rare teas that offer great flavour sensations and tasting pleasures. My motto is as follows: I want the teas that do us such good not to harm those who harvest and process them, or the planet. Such a requirement is not always easy to fulfil. With the sometimes-unacceptable working conditions, pesticide residues and excessive use of fertilisers that destroy river life, there is plenty to contend with. But I’m not a pessimist. Firstly, the higher the quality of tea, the better the practices (there are several reasons for this, such as altitude, which is a factor in the quality of tea due to the cooler nights that impede predators that might otherwise attack the plants). Secondly, a tea can only be exceptional if the greatest attention is paid to the harvest itself and to every stage in the processing, which means planters and farmers must ensure they have the best workers, who are well trained and enthusiastic. Lastly, I’ve gained enough experience now to know what to look for when I visit a plantation in terms of agricultural practices and the way the men and women are treated and how their expertise is honoured. I refuse to work with many producers. And I appreciate even more the pleasure of promoting the amazing work done by many farmers whose methods are exemplary and who know what it means to support their fellow humans every day.
Timid shoots
In Darjeeling, the years go by, and each one is different. In a little over 30 years, I’ve never known anything like the current situation. To remind you, a strike lasting 105 days prevented any work from taking place on the region’s 87 plantations between June and October. When the separatists finally removed the blockades, it was time for Durga Puja – the local version of Christmas. After the plantations had been abandoned for months, the workers then had to set about taming the jungle. The problem was that some of them had fled the conflict to find work in the valleys. And that’s where we are now: the tea plants were pruned very late – some at the end of December – which means that we’re still waiting for the Darjeeling spring harvest. On Wednesday 14 March, a few rare and timid shoots appeared on the tea plants (photo). Of course, so-called first-flush Darjeelings have been on the market for more than a month: that’s the magic of spring Darjeelings, they’re being sold before they’ve even been harvested. This is because some low-altitude plantations, which benefit from a warm climate and irrigation systems, can produce small quantities of tea during the winter. They falsely call them spring teas. Which is sad, as they are nothing like the leaves harvested from the plants in which the sap rises slowly, and which produce the unique tea that has made Darjeeling famous.
The sinensis and assamica varieties
If you enjoy tea, you will probably know that there are two main varieties of Camellia sinensis used to make tea: Camellia sinensis var. sinensis, and Camellia sinensis var. assamica. Rather than getting bogged down in the Latin, here is a more practical explanation. The large-leaf teas come from the assamica strain, while the small-leaf teas – which have incomparable aromas and a hardiness that allows them to adapt to harsher climates – belong to the sinensis strain. It is self-explanatory that a producer looking for quantity over quality is likely to favour one over the other.
I would like to thank Laurence, manager of the Palais des Thés store on Rue du Commerce in Paris, for this photo she took while we were visiting a research centre in Northern India.
(photo: Laurence Jouanno)









