Touch is one of our senses, and it plays a part in tea-drinking. In the mouth, we notice the temperature of the liquid, and also its texture, thanks to our sense of touch. A tea can create the impression of being oily or dry. Some Japanese teas or Taiwanese oolongs, for example, give the impression that the liquid in the mouth is almost creamy in texture. On the other hand, many teas create a sensation of dryness, which we call astringency. Astringency gives a tea its long finish in the mouth. There is no one ideal texture. It’s all about the balance between a tea’s aromas, flavours and texture.
I came to photography through necessity,
and 20 years later I find myself enjoying it a great deal. When Palais des Thés
was new, I would travel through Asia without a camera. I came back from my
trips with an eyeful of gorgeous landscapes, but not a single image to share
with my employees or my customers. Back then, I believed you had to choose
between contemplating a scene and photographing it. Now I realise that’s not
the case at all. Today, I take the time to contemplate a scene and choose the
best angle, and then I linger, motionless, while waiting for just the right
This year, I have chosen ten Chinese new-season green teas. They include well-known names such as Bi Luo Chun, Long Jing, Huang Shan Mao Feng, Ding Gu Da Fang and Yong Xi Huo Qing, as well as some rare pluckings. There are three aims with a selection like this: the teas must be exceptional, clean, and offer value for money.
I’ve travelled enough in China over 30 years to know where to find the best teas. However, every year, more and more Chinese people are buying these rare teas, and domestic demand has gone from non-existent to high, which has, of course, pushed prices up. Also, although European standards on pesticide residues are the strictest in the world, which is a good thing, they put off a number of farmers due to the long, costly analysis process involved, first in China, then in France.
So the 2019 Chinese new-season selection features teas that are rare, clean and the best possible value for money. Happy tasting!
Tea can be complicated in that you cannot rely on a name as a gauge of quality, for the simple reason that tea grows in regions which often experience significant variations in weather. This results in variations in quality. One example is that during the monsoon, it rains non-stop for weeks on end, and the tea is obviously not good. A prestigious plantation that sometimes produces remarkable teas in the best seasons is not capable of doing the same during the rainy months. So a prestigious garden can also produce bad teas. This means it’s important for a tea researcher like myself to taste every tea before buying, and never rely on a name. And it’s also important for the customer to be well informed and guided by skilled sales advisers.
For centuries, tea travelled on the backs of donkeys, horses and yaks. There were a number of tea routes. They started at the Chinese provinces that produced compressed teas (Yunnan, Sichuan, etc.) and led to Tibet. In those days, tea was traded for salt or horses.
To perpetuate this tradition today, some people hold re-enactments, and you can watch hundreds of animals file past, carrying cakes of tea.
The world’s finest jasmine teas are produced in August and September in Fujian province (China). They are made using a green tea base, and as the best green teas are harvested in April, the necessary quantity is reserved at the time. The jasmine flowers on the other hand, are picked at the end of summer. Jasmine flowers open in the evening, when they release their fragrance. When this happens, they are placed in layers with the tea leaves, impregnating them with their heady scent. Throughout the night they are mixed together to ensure the leaves have absorbed as much of the fragrance as possible. When day breaks they are separated, before the jasmine flowers turn bitter.
Wen Rong Tian has had two lives: the first as a physical education teacher; the second, which began 27 years ago, as a tea producer. From the first he has kept his love of a healthy life, and follows a daily programme of vigorous exercise and a strict diet. The second came from his father, who managed a tea factory for 20 years. However, son has surpassed father: today, Wen Rong Tian is one of the main, if not the leading, producer of black tea in Yunnan. He makes excellent teas and even claims to have created the famous Yunnan Golden Buds and Golden Needle teas produced in the province. I visited him near Baoshan, where he lives. His passion lies not so much with walking though tea fields as spending all his time tasting his teas and improving production processes. He lives, sleeps, eats and breathes just a few metres from his factory. What gives him the most pride is to make some of the most amazing teas in the world, just from simple leaves. And unlike many Chinese producers, he prefers black teas to green teas, for their generous aromas and smooth presence.
What possible connection could there be between these tattered old cloths and tea? Simple: these thick cloths are used to cover piles of tea leaves, keeping the oxygen out. In the damp, dark environment, the tea will ferment. This is a crucial step in processing cooked pu erh teas. Every day, someone will check the temperature of the leaves, letting in a bit of air if they get too warm. They will also dampen the leaves several times over the forty days or so of ripening, covering them again immediately each time. In the cup, cooked pu erh teas develop notes of wood, undergrowth, caves, damp earth, straw, humus, leather, and liquorice, and it makes me smile to think that these cloths with their shades of brown express the same sense of autumn as the scent bouquet of the teas they cover.
I got to know Xuan Dong Wu this summer. I met him in the Ming De factory he manages and where, that day, he was overseeing the withering of the tea leaves with the greatest attention. Xuan Dong Wu loves his job. He has not always been in the tea business. He started out in the army, and fought in the Sino-Vietnamese War in the early 1980s. He then returned to the village where he was born, and where tea provides the majority of work. He makes white teas, pu erhs, and black teas that are considered the best in Yunnan. He likes to introduce new ideas, and is responsible for several of our Mao Chas, the intermediate teas used to made Pu Erh. Xuan Dong Wu is a shy man, and didn’t say much when I asked him what he wanted me to write about him here. He simply told me about his life, and what he likes. He said he likes making tea with his heart and with his efforts, he said he wanted to do his best and make the best teas possible. And then he plunged his hands back into the withering leaves, and didn’t take his eyes off them.
Mao Cha – the raw tea from which Pu Erh is made – increasingly undergoes a rolling stage. Right after the leaves have been withered then heated in a wok, they are placed in a machine that shakes them from side to side, rapidly and regularly. The leaves hit the vertical sides and gradually their shape changes – they curl up gently lengthwise. Rolling takes place with most teas, it shapes the leaves. With green teas, for example, it breaks down the cells and releases the aroma compounds that oxidise or ferment.