ARCHIVE FOR August 2019

The aromas of tea

30 August 2019
The aromas of tea

Smell is probably the richest sense in terms of tasting. Food and drink have a smell, or rather a number of smells, which we perceive while tasting, especially if we practise retronasal olfaction by breathing air out through the nose while the substance is in the mouth. In the case of tea, there are many aromas. As we’ve done since childhood with naming colours (red, blue, yellow, etc.), we can categorise aromas too: vegetal, fruity, floral, marine, spicy, woody, undergrowth, buttery/milky, mineral, burnt, animal, and so on.

So the next time you drink tea, ask yourself whether its dominant aromas are floral, fruity, animal or marine, etc. Happy tastings!

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The textures of tea

23 August 2019
The textures of tea

Touch is one of our senses, and it plays a part in tea-drinking. In the mouth, we notice the temperature of the liquid, and also its texture, thanks to our sense of touch. A tea can create the impression of being oily or dry. Some Japanese teas or Taiwanese oolongs, for example, give the impression that the liquid in the mouth is almost creamy in texture. On the other hand, many teas create a sensation of dryness, which we call astringency. Astringency gives a tea its long finish in the mouth. There is no one ideal texture. It’s all about the balance between a tea’s aromas, flavours and texture.

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Flavours of tea

16 August 2019
Flavours of tea

When we eat or drink something, we pay attention to its appearance and colour, of course, but once it is in our mouth, we consider the flavour, texture and aroma.

There are five flavours, or taste elements: sweet, salty, sour, bitter and a fifth, lesser known taste, called umami. Tea does not naturally have a salty flavour, but all the other taste elements are present. A tea can have several flavours. Just as an orange is both sweet and sour, a pu erh can be both sweet and umami.

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Backlighting

9 August 2019
Backlighting

I came to photography late in life, and the first piece of advice I got was to make sure the sun was always behind me to illuminate people’s faces. Twenty years later, I still can’t bring myself to follow that advice. When the sun is out, I naturally turn toward it and often end up with backlit photos, which I like. And when it’s overcast, I still manage to face toward the light source—in this case, the sky—so that my figures always appear slightly mysterious.

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Contemplating and Photographing

2 August 2019
Contemplating and Photographing

I came to photography through necessity, and 20 years later I find myself enjoying it a great deal. When Palais des Thés was new, I would travel through Asia without a camera. I came back from my trips with an eyeful of gorgeous landscapes, but not a single image to share with my employees or my customers. Back then, I believed you had to choose between contemplating a scene and photographing it. Now I realise that’s not the case at all. Today, I take the time to contemplate a scene and choose the best angle, and then I linger, motionless, while waiting for just the right light.

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