Tea and food

We hear a lot about carbon footprints, and when we consider tea, we immediately think of transport, whether by sea or air. Yet when you drink your cup of tea, do you know the biggest factor in its carbon footprint? It is the energy required for heating the water. The use of your kettle has a much greater impact than the transportation of a few leaves that barely weigh anything. So, when you’re preparing your cuppa, if you want to reduce your carbon footprint, make sure you only heat the amount of water you actually need, and switch off the kettle at the required temperature. This is much more efficient than boiling twice as much water, or heating it too much and then leaving it to cool.

Now the temperatures have dropped, we want to drink different types of teas from those we enjoyed in warmer weather. This season calls for rounder, fuller liquors; warm, woody notes; spicy and stewed fruit flavours. Here are some suggestions for teas to sip by the fire. Try a Jukro from South Korea for its cocoa notes, a Chinese Qimen Hong Cha Mao Feng for its leather notes, a Dianhong Jin Ya for its honey notes, a Dongyan Shan Tie Guan Yin from Taiwan for its stewed fruit notes, a Japanese Shiraore Kuki Hojicha for its toasted notes, and a Spirit of Smoke from Malawi for its smoky notes.

When you’re travelling, you sometimes have to boil water to purify it. For tea, that’s obviously not ideal, especially as some teas need to be infused at 50°, 70° or 80°C. Here is a simple method to reach the correct water temperature for your tea (this will be marked on the packaging of any decent tea merchant). When your water has boiled, pour it into a recipient. The water temperature will drop by 9°C. Then pour it into another; it will drop by 9°C again.  And so on.

Drinking and tasting tea with people who specialise in a different product is fascinating. Whether your work revolves around tea, chocolate, olive oil, wine or any other fine ingredient, the tasting techniques are the same. But the experience differs in that each substance has its own range of aromas, textures and flavours. We’re like musicians who play different parts but all share a love of music.

I was lucky enough to receive a visit from Frédéric Bau. Frédéric is one of the great pastry chefs, as well as the founder of the Valrhona School and the Creative Director of Valrhona. Together, we tasted eight premium teas, infused at room temperature.

It was a wonderful opportunity to share our impressions and talk about our passions.

I’m often asked what my favourite tea is, and the question always makes me nervous. Each time I have to think about what to say. Someone who doesn’t know much about tea might say they like a certain type of tea, and someone else might name a different type. But when you have the incredible and very special opportunity to taste the best teas in the world throughout the year, like a top sommelier drinking wine, how is it possible to name just one?

When you’ve tasted so many teas of each type, they become part of you. You get to know them from every angle, you discover their unique characteristics, their point of equilibrium, their harmony. You’re the best placed to appreciate them. This applies whether it’s a lightly oxidised Taiwanese Oolong, a First-Flush Darjeeling, an Oriental Beauty, a Japanese Ichibancha, a new-season Chinese green tea, a hand-rolled Nepalese tea, a black Chinese tea such as a Qimen or a Yunnan, a Rock tea or a Phoenix tea, a dark tea from China, Africa or elsewhere, a Mao Cha plucked from hundred-year-old trees or a Gao Shan Cha, to name just a few. You’re the best placed to appreciate them and the worst placed to pick just one.

So if you meet me, please be kind and don’t ask me to name my favourite tea. Instead, ask me what I love about this tea, or that tea, ask me about the feelings they evoke. Talk to me about the great variety of sensory and emotional responses instead of restricting me to a few.