Focusing is important, as any photographer will tell you. You can focus on the foreground, middleground or background, or you can try to capture everything with the same clarity. As for me, even when I have a stunning landscape before me, or a spectacular mountain, I only need an expanse of tea leaves to enter the frame and I switch my focus to them. I want to see them clearly. Their beauty demands to be focused on, and I forget about the rest.
The harvests will begin soon in Darjeeling. Happily, the tea is still picked by hand. The low-altitude plots are harvested first, for a simple reason: the tea plants have benefited from higher temperatures, meaning the terminal bud has grown faster. We can see that this photo was taken at the bottom of the valley, due to the gentleness of the slope and the density of the covering that protects the bushes from excess sunlight.
Those of you who have been reading my blog for a while will know that tea belongs to the camellia family. There are many varieties of camellia; the one that interests tea enthusiasts goes by the name of Camellia sinensis. The shrub is deliberately kept low to make it easier to pick the leaves – a height known as the “plucking table”. In winter, the tea plants enter a dormant period. Come the spring, they wake up again, then you must wait until the bud is a respectable size so that it can be picked, along with the next two leaves. This is known as a “fine plucking”. There is just one more month to go before the first harvests start.
This is what a Japanese tea garden looks like in winter. Against the backdrop of volcanoes, rows of freshly clipped plants wait for spring to release them from their dormant period. They slumber under the benevolent watch of the fans, ready to chase away any frosty mists.
